Henry could have chosen Smith, or Thompson, or Clark. Why doesn’t Malamud allow Freeman to be free of his past? Was Malamud suggesting that a Jew has something so indelibly distinct in the core of their being that no name-change or denial could ever make people believe that they are anything else? I won’t ruin the ironic twist at the end, but let’s just say Freeman gave the wrong answer. Yet Isabella hesitates to accept Freeman, suspecting that he is Jewish. On his travels, Freeman meets and falls for a beautiful, aristocratic Italian woman named Isabella. Free Man: get it? He’s no longer bound to an outdated, tribal identity. When Henry, a New Yorker, goes to Europe, he decides to abandon his Jewish past, attempts to erase it altogether, in fact, by changing his surname to Freeman. Hey, everyone, I’m out! And here’s my physical proof!Īs a literary scholar, I can’t help but think that she is a lot like Henry Levin, the protagonist of Bernard Malamud’s postwar cautionary tale The Lady of the Lake, part of the short story collection The Magic Barrel. Some complained that the fashionista showed so much cleavage, she might as well have been topless (and also that the show was a “chillul hashem” - a denigration of God’s name).Īt their most generous, critics read Julia’s look as a sign of her freedom from the strictly-Orthodox world, which insists on modest cover for women. Not only a visual element of the show, Haart’s breasts are also part of the content in the second series, as a war breaks out between Julia and her estranged husband Silvio Scaglia, Julia is accused of paying for her breasts with corporate funds.Īs soon as the series first aired on Netflix last year, numerous detractors weighed in. In every episode of My Unorthodox Life -now two seasons strong - Julia Haart’s decolletage is paraded. If you’re a fan of the reality show My Unorthodox Life, featuring the woman who left a Charedi enclave to become CEO of a high-powered Manhattan modelling agency, you probably have an opinion on her cleavage.
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